The idea of putting marrows and goats, as if in some miniature post-capitalist Eden, on a spot designated for stainless steel and glass, could hardly be more symbolic.

The architects, apparently, are turning. Out... steel, glass, height, air-con modernist temples of lucre. In... compost and veg. Out... buildings that try to impress you. In... buildings that appeal to your humanity. Apparently.

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